WAEC: LITERATURE IN ENGLISH
Quizzes
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2009 Literature WAEC Past questions CBT
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2010 Literature WAEC Past questions CBT
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2011 Literature WAEC Past questions CBT
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2012 Literature WAEC Past questions CBT
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2013 Literature WAEC Past questions CBT
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2014 Literature WAEC Past Objective Questions CBT
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2014 Literature WAEC Past Theory Questions CBT
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2015 Literature WAEC Past Objective Questions CBT
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2015 Literature WAEC Past Theory Questions CBT
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2016 Literature WAEC Past Objective Questions CBT
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2016 Literature WAEC Past Theory Questions CBT
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2017 Literature WAEC Past Objective Questions CBT
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2017 Literature WAEC Past Theory Questions CBT
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2018 Literature WAEC Past Objective Questions CBT
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2018 Literature WAEC Past Theory Questions CBT
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2019 Literature WAEC Past Objective Questions CBT
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2019 Literature WAEC Past Theory Questions CBT
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2020 Literature WAEC Objective Past Questions CBT
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2020 Literature WAEC Theory Past Questions CBT
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2021 Literature WAEC Objective Past Questions CBT
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2021 Literature WAEC Theory Paper II (Prose) Past Questions CBT
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2021 Literature WAEC Theory Paper III (Drama & Poetry) Past Questions CBT
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Question 1 of 50
1. Question
A situation where an audience is aware of an action a character is ignorant of is
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Question 2 of 50
2. Question
A fictional prose which is neither a novel nor a short story is a/an
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Question 3 of 50
3. Question
Condensed use of language is a dominant feature of
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Question 4 of 50
4. Question
The sudden reversal of a character’s fortune in a literary work is
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Question 5 of 50
5. Question
Read the extract below and answer the question
With the pen, he wrote King’s reality.
With his words, kingdoms arose.
Those same words, slaves inhaled.
Their hands building walls, their feet trumping territories.
His pen was like the breath of life.
The underlined words illustrate
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Question 6 of 50
6. Question
Read the extract below and answer the question
With the pen, he wrote King’s reality.
With his words, kingdoms arose.
Those same words, slaves inhaled.
Their hands building walls, their feet trumping territories.
His pen was like the breath of life.
“Hands” and “feet” in line 4 illustrate
CorrectIncorrect -
Question 7 of 50
7. Question
Read the extract below and answer the question
With the pen, he wrote King’s reality.
With his words, kingdoms arose.
Those same words, slaves inhaled.
Their hands building walls, their feet trumping territories.
His pen was like the breath of life.
His pen was like the breath of life exemplifies
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Question 8 of 50
8. Question
Comic relief occurs in
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Question 9 of 50
9. Question
One week of fasting makes one weak is an example of
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Question 10 of 50
10. Question
Students rarely read Julius Caesar these days illustrates
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Question 11 of 50
11. Question
In literature, the term poetic justice applies to
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Question 12 of 50
12. Question
Ascribing human moods to nature, as in a playful-breeze illustrates
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Question 13 of 50
13. Question
The end of a performance is followed by
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Question 14 of 50
14. Question
Read the lines and answer the question
Marching along fifty score strong
Great hearted gentlemen
Singing this song.
The underlined words illustrate
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Question 15 of 50
15. Question
A short poem with a witty or sarcastic ending is a/an
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Question 16 of 50
16. Question
“The big boulder blasted the house”, illustrates
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Question 17 of 50
17. Question
Read the extract and answer the question
“I burn and freeze like ice” creates an impression of extreme fear.
The dominant literary device used in the line is
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Question 18 of 50
18. Question
Read the extract and answer the question
“I burn and freeze like ice” creates an impression of extreme fear.
The feeling of the narrator in the extract is one of
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Question 19 of 50
19. Question
Which of the following is written by an African playwright?
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Question 20 of 50
20. Question
Which of the following is written by a Non-African Poet?
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Question 21 of 50
21. Question
Read the passage and answer the question below.
On, on, on, over the countless miles of angry space roll the long heaving billows. Mountains and caves are here; for what is now the one is now the other; then all is but a boiling heap of rushing water. Pursuit, and flight and mad return of wave on wave, and savage struggle, ending up in a spouting up of foam that whitens the black night; incessant change of place and form and hue; constancy in nothing but eternal strife.
On, on, on, they roll and darker grows the night; and louder howls the wind and more clamorous and fierce become the million voices in the sea, when the wild cry goes forth upon the storm, ‘A ship!’.
The most suitable title for the passage is
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Question 22 of 50
22. Question
Read the passage and answer the question below.
On, on, on, over the countless miles of angry space roll the long heaving billows. Mountains and caves are here; for what is now the one is now the other; then all is but a boiling heap of rushing water. Pursuit, and flight and mad return of wave on wave, and savage struggle, ending up in a spouting up of foam that whitens the black night; incessant change of place and form and hue; constancy in nothing but eternal strife.
On, on, on, they roll and darker grows the night; and louder howls the wind and more clamorous and fierce become the million voices in the sea, when the wild cry goes forth upon the storm, ‘A ship!’.
The predominant use of long vowels in the first sentence heightens the ______ of the waves.
CorrectIncorrect -
Question 23 of 50
23. Question
Read the passage and answer the question below.
On, on, on, over the countless miles of angry space roll the long heaving billows. Mountains and caves are here; for what is now the one is now the other; then all is but a boiling heap of rushing water. Pursuit, and flight and mad return of wave on wave, and savage struggle, ending up in a spouting up of foam that whitens the black night; incessant change of place and form and hue; constancy in nothing but eternal strife.
On, on, on, they roll and darker grows the night; and louder howls the wind and more clamorous and fierce become the million voices in the sea, when the wild cry goes forth upon the storm, ‘A ship!’.
The writer’s attitude to the scene is one of
CorrectIncorrect -
Question 24 of 50
24. Question
Read the passage and answer the question below.
On, on, on, over the countless miles of angry space roll the long heaving billows. Mountains and caves are here; for what is now the one is now the other; then all is but a boiling heap of rushing water. Pursuit, and flight and mad return of wave on wave, and savage struggle, ending up in a spouting up of foam that whitens the black night; incessant change of place and form and hue; constancy in nothing but eternal strife.
On, on, on, they roll and darker grows the night; and louder howls the wind and more clamorous and fierce become the million voices in the sea, when the wild cry goes forth upon the storm, ‘A ship!’.
The expression “million voices” is used as
CorrectIncorrect -
Question 25 of 50
25. Question
Read the passage and answer the question below.
On, on, on, over the countless miles of angry space roll the long heaving billows. Mountains and caves are here; for what is now the one is now the other; then all is but a boiling heap of rushing water. Pursuit, and flight and mad return of wave on wave, and savage struggle, ending up in a spouting up of foam that whitens the black night; incessant change of place and form and hue; constancy in nothing but eternal strife.
On, on, on, they roll and darker grows the night; and louder howls the wind and more clamorous and fierce become the million voices in the sea, when the wild cry goes forth upon the storm, ‘A ship!’.
“A ship” in the last line symbolises
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Question 26 of 50
26. Question
Read the poem and answer the question below
Oft in the stilly night
Ere slumber’s chain has bound me
Fond memory brings the light
of other days around me:
The smiles, the tears
of boyhood years.
The words of love the spoken;
The eyes that shone
How dimm’d and gone
The cheerful hearts now broken!
Thus in the stilly night
Ere slumber’s chain has bound me
Sad memory brings the light
of other days around me.
The theme is about the poet’s
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Question 27 of 50
27. Question
Read the poem and answer the question below
Oft in the stilly night
Ere slumber’s chain has bound me
Fond memory brings the light
of other days around me:
The smiles, the tears
of boyhood years.
The words of love the spoken;
The eyes that shone
How dimm’d and gone
The cheerful hearts now broken!
Thus in the stilly night
Ere slumber’s chain has bound me
Sad memory brings the light
of other days around me.
The theme of the poem is presented essentially through
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Question 28 of 50
28. Question
Read the poem and answer the question below
Oft in the stilly night
Ere slumber’s chain has bound me
Fond memory brings the light
of other days around me:
The smiles, the tears
of boyhood years.
The words of love the spoken;
The eyes that shone
How dimm’d and gone
The cheerful hearts now broken!
Thus in the stilly night
Ere slumber’s chain has bound me
Sad memory brings the light
of other days around me.
The two words that given hint of the poets unhappiness are
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Question 29 of 50
29. Question
Read the poem and answer the question below
Oft in the stilly night
Ere slumber’s chain has bound me
Fond memory brings the light
of other days around me:
The smiles, the tears
of boyhood years.
The words of love the spoken;
The eyes that shone
How dimm’d and gone
The cheerful hearts now broken!
Thus in the stilly night
Ere slumber’s chain has bound me
Sad memory brings the light
of other days around me.
The poet refers to memory as being “fond” and “sad” because it brings.
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Question 30 of 50
30. Question
Read the poem and answer the question below
Oft in the stilly night
Ere slumber’s chain has bound me
Fond memory brings the light
of other days around me:
The smiles, the tears
of boyhood years.
The words of love the spoken;
The eyes that shone
How dimm’d and gone
The cheerful hearts now broken!
Thus in the stilly night
Ere slumber’s chain has bound me
Sad memory brings the light
of other days around me.
The meaning of the expression, ‘Ere slumber’s chain has bound me’ is
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Question 31 of 50
31. Question
Read the extract and answer the question below
Zounds, sir y’are robbed! For shame, put on your gown!
Your heart is burst, you have lost half your soul.
Even now, now, very now, an old black ram
Is tupping your white ewe. Arise, arise!
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you.
Arise I say!
(Act 1, Scene One, lines 83-89)
The speaker is
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Question 32 of 50
32. Question
Read the extract and answer the question below
Zounds, sir y’are robbed! For shame, put on your gown!
Your heart is burst, you have lost half your soul.
Even now, now, very now, an old black ram
Is tupping your white ewe. Arise, arise!
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you.
Arise I say!
(Act 1, Scene One, lines 83-89)
The listener’s initial reaction to the speech is one of
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Question 33 of 50
33. Question
Read the extract and answer the question below
Zounds, sir y’are robbed! For shame, put on your gown!
Your heart is burst, you have lost half your soul.
Even now, now, very now, an old black ram
Is tupping your white ewe. Arise, arise!
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you.
Arise I say!
(Act 1, Scene One, lines 83-89)
The underlined expression implies an attitude of
CorrectIncorrect -
Question 34 of 50
34. Question
Read the extract and answer the question below
Zounds, sir y’are robbed! For shame, put on your gown!
Your heart is burst, you have lost half your soul.
Even now, now, very now, an old black ram
Is tupping your white ewe. Arise, arise!
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you.
Arise I say!
(Act 1, Scene One, lines 83-89)
…….. Y’ are robbed! refers to
CorrectIncorrect -
Question 35 of 50
35. Question
Read the extract and answer the question below
Zounds, sir y’are robbed! For shame, put on your gown!
Your heart is burst, you have lost half your soul.
Even now, now, very now, an old black ram
Is tupping your white ewe. Arise, arise!
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you.
Arise I say!
(Act 1, Scene One, lines 83-89)
The speaker is
CorrectIncorrect -
Question 36 of 50
36. Question
The speaker is
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Question 37 of 50
37. Question
The speaker is addressing
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Question 38 of 50
38. Question
The mood is that of
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Question 39 of 50
39. Question
“………. so good a commander” refers to
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Question 40 of 50
40. Question
The underlined expression exemplifies
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Question 41 of 50
41. Question
Read the extract and answer the question below
Speaker X: ….. Did he live now,
This sight would make him do a desperate turn;
Yea, curse his better angel from his side,
And fall to reprobation.
Speaker Y: ‘T is pitiful; but yet lago knows’
That she with Cassio confessed it;
And she did gratify his amorous works
(Act V, Scene Two, lines 204-211)
……..he…… referred to by speaker x is
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Question 42 of 50
42. Question
Read the extract and answer the question below
Speaker X: ….. Did he live now,
This sight would make him do a desperate turn;
Yea, curse his better angel from his side,
And fall to reprobation.
Speaker Y: ‘T is pitiful; but yet lago knows’
That she with Cassio confessed it;
And she did gratify his amorous works
(Act V, Scene Two, lines 204-211)
‘…….. do a desperate turn’ means
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Question 43 of 50
43. Question
Read the extract and answer the question below
Speaker X: ….. Did he live now,
This sight would make him do a desperate turn;
Yea, curse his better angel from his side,
And fall to reprobation.
Speaker Y: ‘T is pitiful; but yet lago knows’
That she with Cassio confessed it;
And she did gratify his amorous works
(Act V, Scene Two, lines 204-211)
Speaker Y’s speech shows that
CorrectIncorrect -
Question 44 of 50
44. Question
Read the extract and answer the question below
Speaker X: ….. Did he live now,
This sight would make him do a desperate turn;
Yea, curse his better angel from his side,
And fall to reprobation.
Speaker Y: ‘T is pitiful; but yet lago knows’
That she with Cassio confessed it;
And she did gratify his amorous works
(Act V, Scene Two, lines 204-211)
Speaker Y has just
CorrectIncorrect -
Question 45 of 50
45. Question
Read the extract and answer the question below
Speaker X: ….. Did he live now,
This sight would make him do a desperate turn;
Yea, curse his better angel from his side,
And fall to reprobation.
Speaker Y: ‘T is pitiful; but yet lago knows’
That she with Cassio confessed it;
And she did gratify his amorous works
(Act V, Scene Two, lines 204-211)
Just after this dialogue
CorrectIncorrect -
Question 46 of 50
46. Question
Read the extract and answer the question below.
O thou dull Moor, the handkerchief thou speak’st of
I found by fortune, and give my husband
For often with solemn earnestness –
More than indeed belonged to such a trifle –
He begged of me to steal’t
(Act V, Scene Two, lines 223 -227)
The speaker is
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Question 47 of 50
47. Question
Read the extract and answer the question below.
O thou dull Moor, the handkerchief thou speak’st of
I found by fortune, and give my husband
For often with solemn earnestness –
More than indeed belonged to such a trifle –
He begged of me to steal’t
(Act V, Scene Two, lines 223 -227)
The speaker has just been threatened by
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Question 48 of 50
48. Question
Read the extract and answer the question below.
O thou dull Moor, the handkerchief thou speak’st of
I found by fortune, and give my husband
For often with solemn earnestness –
More than indeed belonged to such a trifle –
He begged of me to steal’t
(Act V, Scene Two, lines 223 -227)
What has just happened is that
CorrectIncorrect -
Question 49 of 50
49. Question
Read the extract and answer the question below.
O thou dull Moor, the handkerchief thou speak’st of
I found by fortune, and give my husband
For often with solemn earnestness –
More than indeed belonged to such a trifle –
He begged of me to steal’t
(Act V, Scene Two, lines 223 -227)
Soon after this, the speaker
CorrectIncorrect -
Question 50 of 50
50. Question
Read the extract and answer the question below.
O thou dull Moor, the handkerchief thou speak’st of
I found by fortune, and give my husband
For often with solemn earnestness –
More than indeed belonged to such a trifle –
He begged of me to steal’t
(Act V, Scene Two, lines 223 -227)
The stage of the play is known as the
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